So, an variant experimented with the Leamington Spa photographs was to darken the background, not remove it and replace it with a solid backdrop. One of the resulting effects is that the building remains in its real life location, while heavy focus still being placed on the central subject. This could also allow the viewer to observe the architecture of the surrounding buildings to see if they are of similar style. For example, if the subject was added later, or is the remains of a period in history, that has been demolished around it.
In the example below, the building is more isolated, which could mean that it is a 'sole survivor' of that architectural style, especially as the other buildings visible in the frame are of a differing shape and style.
The first idea of blacked out windows and background continued on from Leicester shoot. |
Slight alteration to previous style, where the background is darkened, but still visible. The harsh contrast between subject and background is lessened, but still prevalent. |
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